Chocolate Krishna - the 400th show

I attended Crazy Mohan's Chocolate Krishna drama few days back at Narada Gana Sabha. It was the drama's 400th show. The Crazy Creations team made it a special event by inviting several dignitaries like K Balachandar, Kamal Hassan, Prof. Nyanasambandham, S Ve Shekar, P B Srinivas etc. Pretty much the cross-belt of persons involved in Tamil drama were present. We made a last minute decision to watch the drama and somehow got tickets. It was my first time at a Crazy Mohan drama and I thoroughly enjoyed it. The story is based on a God-Man interaction. Though this concept is not new, the approach feels different as Crazy Mohan adeptly balances comedy and Godliness. There were simply too many hilarious punchlines and lol moments to remember. Mohan's wit, clever word play and sharp humour had us in awe. During the interval, Kamal feted the troupe members by giving out silk shawls (ponn aadais). The core group of Crazy Creations had been together for 32 years now. K Balachandar in his speech lauded the troupe's contribution to Tamil drama and Prof Nyanasambhandam had us in splits as he recollected his interactions with Crazy Mohan and Kamal. All in all, an awesome evening!

Wishing the Crazy Creations team many more successful and LOLful years in Tamil drama!

Here are some photos:

The troupe honoured Crazy Mohan with a monstrosity of a maalai.

Kamal felicitating 'Appa' Ramesh

The hero. Maadhu Balaji.

Kamal felicitating the actor who played 'Varadhukutti' in Micheal Madana Kamarajan.

K Balachander in his speech.

Happy Birthday Ilaiyaraja

Ilaiyaraja turns 66 today. When I learnt it was his birthday, I felt compelled to write something about him. It is impossible to write a post which does justice to his contribution to music. So I wont even go there.

IR has been composing since '70s. He would've done almost every genre of music that can be applied to Indian Cinema. Picking best of his works would be like trying to pick rain drops from the ocean.

I play Violin and I am very fond of my mother tongue, Thamizh. Violin and Thamizh form an integral part in most of IR works. From my collection of IR's work, these are the instrumental scores where IR mesmerizes me with the use of Violin. These three albums are very special to me.

• How to name it? - An instrumental fusion album. Pure violin bliss.

• Violin Concerto and this BGM in Rajaparvai.

• Thiruvasagam - Thiruvasagathuku urugaar, oru vasagathukum orugaar (one who does not get moved by Thiruvasagam will not be moved by anything else)

...the plethora of BGMs like this, this, this, this, this and interludes.

--

Picked up a tag from Mahesh's blog.

a. The moment you got introduced to IR's music?

"Raja...rajadhi rajan indha raja" from Agni Nakshathram. I was probably 5 -6 year old then. I was hooked to that song.

b. Name one occasion where IR music directly/indirectly influenced your life.

IR's scores made me realise the power of music. There is a saying 'Music is the food for the soul'. I firmly believe in that.

c. Name 4 fav tamil songs that immediately comes to your mind

Andhi mazhai from Raja Paarvai
Poongathave from Nizhalghal
Thendral Vandhu from Avatharam
Rakamma from Dhalapathi

d. One song of IR that you consider rare and think a song many people should have known but don't.

I don't see many people talking about Paravayin kootil from Katradhu Thamizh. This song is sung by IR, the music is by Yuvan. Along with the great lyrics by Thamarai, the way IR renders this song makes it quite special.

e. IR's number you are hearing now or recently heard?

Listening to En Iniya pon nilave from Moodupani.

--
Raja rules! Happy birthday Isaignaani!

Pronouncing zha, sha, lha

A pet peeve I have on native Tamizh speakers is their mispronunciation of 'zha' ழ. Along with 'sha' and 'lha', it is one of the things that riles me up when heard on a repeated basis (like in a movie, speech etc). My brain just ignores what the person is saying. I just keep their observing the speaker's (mis) pronunciation.

I remember my Tamizh teacher telling our class us how to pronounce 'zha'. "zha ucharippu-ku, naakai suzhata vendum. naakai madikaama vaai mozhi varuvadhu migha kadinam.". Point!

Today, I watched the trailer of Cheran's next movie Pokkisham. An interesting trailer. It looks to be another heartfelt love story from the Cheran factory. The trailer has Cheran reading out a letter sent to his lover. It's a beautiful narration, has good Thamizh, perfect selection of words & comparisons to convey the exact feeling/emotion...the only sour point being Cheran's pronunciation of the word azhagu as alagu. He goes,

"alagu ennum solluku ottu motra artham needhan Nadira!"

"mothathil nee thamilin alagu" (this was too much)

"sandhosamaai irukiradhu"


Other e.g. :

tamil valga
stiram valapalam saptaan.
summa palagunga, palagi paarunga
Amma kolambu vechirkaanga
kolandhaiku bajji romba pidikikum
magesum bathmaavum plight-la kamalagaasan pichhar paathanga

olunga ucharikira palakam ennaku illa

I am sure you can think of many.

I can understand when non-Tamil speakers like wrecker-in-chief Udit Narayan, Yesudas, Adnan Sami mispronounce (read kill) some or all Tamil words. When our own people can't get it right, it is sad.

This post can be best summarised by the famous Thillu mullu interview scene (of Subramania Bharathy) shown below. Thalaivar and Thengai at their best!

Yellaan eye wassss! :D

Random thoughts

• I saw these clips of a show by the great Kunnakudi Vaidhyanathan hosted by Vijay TV for Deepavali 200#. Sri Kunnakudi, wearing a coat-suit, plays popular movie songs to the delight of the audience. The ease and elan with which he plays the subtleties in the songs just left me spellbound. Legendary stuff! It's sad the Violin Maestro is not with us any more. His music will live with us forever.

Kaadhal Yaanai (Anniyan)

Mannil Indha Kadhal (don't miss the part where Sri Kunnakudi mimics SPB by playing the charanam without lifting the bow)

He also played: Devuda Devuda , Malarndhu malaradha, MKT's Manmadha leelai

• Is he the Tamil Russell Peters? Badava Gopi! I hope they get rid of the annoying background music for every joke. Good laugh though!

• Ross Taylor said in relief at IPL being shifted from India to SA "If you're dead you cant earn any money..." - *Tonge in cheek* Honest!

• I went hiking this week at Kondalilla National Park. It rained the previous day, the circuit was damp as we walked through the cool, lush green surroundings. The vegetation was thick (as you would expect in a rainforest) and the croaks of frogs and chirps of birds and insects were soothing to the ears compared to the monotonous server hum. The hike was going smoothly until my friend (walking first in the pack) spotted this fella on the track.

We spotted him when he was approx 2-feet away from us. Since all of us were sh*t scared of anything belonging to his species, we stood there for a moment staring at him blankly and wondering what to do. We shooed and stomped our feet to make him move. To our horror, he initially moved towards us and slithered away to his left and just disappeared into the bush. Phew...all of us needed a new set of pants!

• I found a way to make Rasam taste even better. Instead of mashing the paruppu (lentils) with karandi (spatula), mash it with your hands. Paruppu mixes well as a result Rasam tastes better. Previously, paruppu used to stand out like a distant cousin. Now it is a part of the Rasam family. If you are saying "Jee...what a genius Sriram. Tell me something new!" Well, using hands to mash the paruppu may be the proper, regular way. But that doesn't matter!. For a guy who ventured into making Rasam just few months back, this is a big leap. I can never forget my first attempt at making Rasam. I ended up making what looked like a glorified manja thanni than Rasam. I've come a long way from that.
  

• IPL: I am from Chennai. I support Mumbai Indians. Why? Here is the answer in the first few paras of this post.

• I watched Sigappu Rojakkal yesterday. A typical 70s movie. Kudos on Bharathiraja for making a psycho thriller in that era. Kamal, as usual, acted well. I wonder how this movie will be if Kamal and Bharathiraja remake this movie today. Sigappu Rojakkal II. That'll be good!
  

• Saw Ayan. A decent masala movie. Unlike other masala movie directors, I appreciate K V Anand for making the assumption the Tamil Cinema viewers have some IQ in them. You can watch the movie once in theatre for two reasons: one, picturisation of Nenje Nenje song; two, (for chics) after hearing the oohs and aahs in the theatre - Surya and his abs, (for guys) Tamanna.

• A question from my friend. What is the Tamil word for 'swipe'? (as in, swipe your credit card).
  

Happy Valentines Day

Valentines Day. Mmm...I thought of uploading a song from a movie aptly titled Kadhalar Dinam (Lovers' Day). I have chosen Mundinam song from Vaaranam Ayiram. It is a beautiful song. Simple lyrics, lyricist Thamarai's choice of words and play with words, make this song sensuous, poetic and befits the occasion - Valentines Day.

Raju has done a great job in translating the song. This is a direct copy paste from his blog.

Another quick and unjustifiably crude translation of a recent song which has captivated my heart.

M: ஹாய் மாலினி!
I'm கிருஷ்ணன்.
நான் இதை சொல்லியே ஆகணும்;
நீ அவ்ளோ அழகு!
எவனும் இவ்ளோ அழகா ஒரு ......
இவ்ளோ அழகைப் பார்த்திருக்க மாட்டாங்க
and I am in love with you....

After introducing himself, he says that no one would have seen such a beautiful.... (pause and a chuckle) such a beauty. What a way to say that she is the most beautiful (not just woman, but in the) whole world. Considering that this is their first meeting, that is a very powerful statement (albeit praising her external beauty) to flatter her.

முன்தினம் பார்த்தேனே பார்த்ததும் தோற்றேனே
சல்லடைக் கண்ணாக நெஞ்சமும் புண்ணானதே
I saw you yesterday and as soon as I saw, I lost (to you).
My heart was wounded like the eyes of a sieve.

Traditionally, the sight of a woman is compared to the arrow; so, it is as if so many of such arrows attacked his heart and wounded him, that his heart has thousands of such tiny holes.

இத்தனை நாளாக உன்னை நான் பாராமல்
எங்குதான் போனேனோ நாட்களும் வீணானதே

All these days, without seeing you
where (the hell) did I go? Oh, all (my) days have been a waste..

When a person meets someone and falls in love, he/she wishes that they spent all their goneby days with that person. It is not only the happiness of the present, and a dream for the future, but a frustration for the past too.

வானத்தில் நீ வெண்ணிலா ஏக்கத்தில் நான் தேய்வதா
இப்போழ்தே என்னோடு வந்தாலென்ன
ஊர் பார்க்க ஒன்றாக சென்றாலென்ன

(முன்தினம்)

You are like a moon on the sky; I wane due to longing (for you)
What if you come with me now?
What if we go out, with the world watching (or what if we go sight-seeing)?

Yeah, the last line can be taken in both the ways. The first one is about the Hindu tradition of going on a procession after the marriage, so that the neighborhood can see who has got married. The latter is about the wish of a person to roam around the world with his lover.

துலாத்தட்டில் உன்னை வைத்து
நிகர் செய்யப் பொன்னை வைத்தால்
துலாபாரம் தோற்காதோ பேரழகே?

After placing you on a weighing balance,
if gold is placed to equalize with you,
wont the balance lose, my beauty?

He is not talking about the shape of his girl (pun unintended); he compares the beauty of her with the beauty of gold. He says that she is so beautiful that, a balance designed to weigh human-like fairly large objects will still be too small to accomodate the enormous gold required to compensate for her beauty. Considering the density differences between gold and human, this is a huge claim indeed.. ;), and his girl is such a beauty.

F: முகம் பார்த்துப் பேசும் உன்னை
முதல் காதல் சிந்தும் கண்ணை
அணைக்காமல் போவேனோ ஆருயிரே

How will I not hug you, who looks at my face and talks
and from whose eyes the first love is oozing out?

Women respect and like men who look at their face and talk, bcos a large chunk of the men have been notorious in that aspect. Also, the girl's instant appeal with someone who is giving his heart for the first time to a woman is given importance. Also, this is the first response of the woman after hearing what the man has said. She just reciprocates to his feelins saying that she likes to hug him.

M: ஓ... நிழல் போல விடாமல் உன்னைத் தொடர்வேனடி
புகை போலப் படாமல் பட்டு நகர்வேனடி
வினா நூறு கனாவும் நூறு.. விடை சொல்லடி

I will follow you like (your) shadow; I will touch you delicately and move away from you as how the smoke does. (I have) hundreds of questions, and hundreds of dreams; pl. give (me) an answer.

The desperation of the hero is very much evident from these lines. He is already dreaming of her and a life with her. All he wants is the answer.. Of course he wants 'yes' to be that answer. One can compare this Q&A to the western culture of the woman answering the man 'yes' when he proposes, and during the wedding when she says 'yes, I do!'.

(முன்தினம்)

F: கடல் நீலம் மங்கும் நேரம்

அலை வந்து தீண்டும் தூரம்

மனம் சென்று மூழ்காதோ ஈரத்திலே

When the blueness of the sea dims,
the waves touch the far end (of the shore).
Wont the heart immerse (itself) in the wetness (of love)?

M:தலை சாய்க்கத் தோளும் தந்தாய்
விரல் கோர்த்துப் பக்கம் வந்தாய்
இதழ் மட்டும் இன்னும் ஏன் தூரத்திலே

You gave (me your) shoulder (for me) to put (my) head on..
You came near me holding my hands..
why are your lips still far away?

F:பகல் நேரம் கனாக்கள் கண்டேன் உறங்காமலே
உயிர் ரெண்டு உராயக் கண்டேன் நெருங்காமலே
உனை அன்றி எனக்கு ஏது எதிர்காலமே

I had day-dreams without sleeping
I saw two souls frictioning (against each other), without coming closeby
What is my future without you?
Only in the ultimate line of the charanam, she opens out her heart and gives the real answer that he wants to hear. By saying that there is no future for her without him, all the ambiguities of dating and courting relationship are removed and the love now reaches the mutually agreed state.

(முன்தினம்)

Pongalo Pongal

My early morning sleep, you know the shallow drowsy sleep just before you have to wake up, a sleep where you dream and you know that you are dreaming, well, it was momentarily disturbed with the sound of my cell phone beeping a text message. A message from my friend wishing me 'Yen iniya Pongal nalvazhthukkal' (Happy Pongal!). It is always nice to get a cheerful greeting first thing in the morning.

Pongal - our harvest festival. Like New Year, it is the time for a fresh start for anyone and everyone who depend on agriculture for their livelihood. When I was in India, Pongal meant the following for me: it was four days of school holidays. A visit to Thatha & Paati's house at Ashok Nagar. Poojai performed with Appa for Sun God. The festive atmosphere all around with colouful kolams, decorations and everyone dressed up in their best attire. Feast on chakra pongal with extra nei (ofcourse with Vadai and payasam). Watch Pongal special - Dindigul Leoni's nagaichuvai pattimandram (debate) - on Sun TV. People burning random things on the street corner on the pretext of bhogi. Kabali, Karpagam Gardens' milkman, brining his gho on Maattu Pongal. Last but not least, Pongal's real hero, sugarcane!

After Diwali crackers (Lakshmi vedi, Atom bomb, 10000 wala, the lot) and SB, sugar cane would be in the list of things I miss being away from India. Ahhh...sugar cane. The beautiful black/purple colour, sweet taste, its inherent candy smell - I/we could keep chewing it till our jaws and/or incisors gave up.

Choosing the right sugar cane is also the key. The anatomy of a good sugarcane, apart from its colour, is the length between the joints. The longer the length between the joints the better. Also, we have to watch out for spoilt ones. They have reddish streaks inside them and it tastes sour. Some people prefer to peel sugarcane's skin before eating it, but we are so allured by it that we start eating it straightaway!

Out of all this Pongal memories and experiences, enjoying sugar cane with my cousins, sitting in veranda, spitting the karumbu shakkai on the old newspaper haphazardly placed on the floor, chatting, pulling each others legs, is probably the defining image of Pongal for me. I long for those to days to come back and I keep those memories very close to my heart.

Here's to another year of peace and happiness and, of course, good harvest for our farmers.

Happy Pongal!

Unnodu naan...

Unnodu naan iruntha ovoru manithuliyum
marana padukayilum marakaathu kanmaniyae
thonooru nimidangal thottanaitha kaalam thaan
yennoru aandukalaai ithayathil kanakuthadi

Paarvayilae sila nimidam
Bayathodu sila nimidam
Katti anaithapadi kaneeril sila nimidam
Ilakanamae paaraamal
ella idankalil muththangal vitheithu
mogatthil sila nimadam

Yethu niyayam yethu paavam iruvarukum thonravilai
Athu irava athu pagala athu pattri ariyailai
Yaar thodanga yaar mudika oru vazhiyum thonravilai
Iruvarumae thodanki vittom ithuvareikum kelvi ilai

Achcham kaleinthaen aasayinei nii anaitthaai
Aadai kaleinthaen vetkathei nii anainthaai
Kanda thirukolam kanavaga mareinthaalum
Kadeisiyilae azhutha kanneer kayil innum oduthadi

This was written by Kaviarasu Vairamuthu for my favourite Mani Ratnam movie, Iruvar. The poem was recited by Arvind Swamy. Thanks to his gruff voice (perhaps trying to mimic MK), I could not hear the lyrics properly the first time when I heard this. I was hooked to this poem after I read the lyrics.

The lyrics are erotic as this poem is played in the passage of movie after Thamizhchelvan and Senthamarai make love. Vairamuthu's wordings convey the desire and intimacy between the lovers in a sensual way without sounding vulgar. His reading doesn't make you uncomfortable - but when he finishes the poem with 'Kadaisiyilea azhudha kannir kaiyil innum odudhadi'- he does, momentarily, takes your breath away.

---

Udal Mannuku, Uyir Tamizhuku.

Vairamuthu does it again in Iruvar. If Tamil Nadu ever forms a Rugby team - Num Karupargal (Our Blacks, not All Blacks), we don't need to look anywhere for our Haka. It is right here...

Udal Mannuku Uyir Tamizhiku
Ithai urakka solvom ulagirku
Inam onraaga
Mozhi venraaga
Puthu velai edupom vidiviku
Nam Vetri pathaiyil Narigal vanthaal
Virunthu Vaipom vinniku

Pirantha pillai nadanthu pazhaga
Kaiyil velai kodupom
Pirantha pillai iranthu piranthal
Vaalal keeri puthaipom

Yutha sattham ketaal pothum
Mutha satham mudipom
Ratha kulathai nirappi nirappi
Vetri thaamarai paripom

Engal mannai thottavan kaalgal
Engal mannil uramaagum
Engal pennai thottavan kaigal
Engal Adupil viragaagum

Udal Mannuku Uyir Tamizhiku
Ithai urakka solvom Ulagirku
Inam onraaga
Mozhi venraaga
Puthu velai edupom vidiviku
Nam Vetri pathaiyil Narigal vanthaal
Virunthu Vaipom vinniku!